Screened as part of NZIFF 2010

Joan Rivers: A Piece of Work 2010

Directed by Annie Sundberg, Ricki Stern

“Pioneer comedian. Plastic-surgery freak. Red-carpet maven. Foul-mouthed shock artist. No matter how you think of her, Joan Rivers: A Piece of Work is likely to expand your idea of who, exactly, Joan Rivers is.” — San Francisco International Film Festival

USA In English
85 minutes DigiBeta

Producers

Ricki Stern
,
Seth Keal
,
Annie Sundberg

Screenplay

Ricki Stern

Photography

Charles Miller

Editor

Penelope Falk

Sound

Seth Keal

Music

Paul Brill

With

Joan Rivers
,
Jocelyn Pickett
,
Billy Sammeth
,
Larry Thompson
,
Kathy Griffin
,
Melissa Rivers
,
Don Rickles
,
Dennis Leary
,
Lily Tomlin

Festivals

Sundance, San Francisco, Tribeca 2010

Elsewhere

Flamboyant exhibitionism and stoic masochism have rarely been more visibly wired together in a performer’s dynamo than in this funny, complex portrait, onstage and off, of comedian Joan Rivers. No celebrity flunkies, filmmakers Ricki Stern and Annie Sundberg (The Devil Came on Horseback, NZIFF07) spent a year – her 75th – filming the doyenne of bad-mouthed women’s stand-up. She begins the movie so out of work she claims she’d knock out her own teeth to be cast in a denture ad. We watch as she fills up a blank appointment book and has a ball. But observe her sang froid the morning after an adoring audience have lapped up her show, as she has her assistant spell out every withering review: you might learn a lot about cruelty and pain, guts and survival in showbiz. — BG

“Pioneer comedian. Plastic-surgery freak. Red-carpet maven. Foul-mouthed shock artist. No matter how you think of her, Joan Rivers: A Piece of Work is likely to expand your idea of who, exactly, Joan Rivers is… Ricki Stern and Annie Sundberg make the most of their subject’s characteristic mixture of bravery and the desire to entertain, even if at her own expense. Working mostly with observational footage and interviews both funny and frank, Stern and Sundberg pepper the film with enough archival material to remind us of Rivers’ bright taboo-breaking beginnings and of the disappointments and tragedies in her life. The end result is a complex portrait of a born entertainer – a constantly shifting mixture of determination, fear, moxie and regret – who continues to persevere despite what others may think of her.” — Rachel Rosen, San Francisco International Film Festival