Denmark’s fearless Mads Brügger in person with his gonzo documentary. He buys himself a diplomatic post in the Central African Republic and proceeds, envelopes stuffed with cash, to jockey for power and influence.
Films — by Genre
Comedy
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The Angels’ Share
Scottish lads decide to liberate a barrel of single malt in Ken Loach’s caper comedy direct from Cannes. “This is British comedy at its warmest and most pleasurable; cask strength, unfiltered and neat.” — The Telegraph
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Bernie
“Jack Black gives the performance of his career, under the pitch-perfect direction of his School of Rock director, Richard Linklater, who expertly crafts a black comedy with a deceptively sunny surface.” — NY Post
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The Cabin in the Woods
Writer Joss Whedon’s (The Avengers) deconstruction of the contemporary horror film manages to deliver the thrills of a teens-get-sliced scenario while piling on big laughs with meta-punchlines.
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Gentlemen Prefer Blondes
Diamonds Are a Girl’s Best Friend! Marilyn Monroe is at her most beatifically ditsy alongside Jane Russell in Howard Hawks’ dazzling 1953 Technicolor screwball musical seen here in a new digital restoration.
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How to Meet Girls from a Distance
The inaugural winner of the Make My Movie feature film competition, Dean Hewison’s 'Peeping Tom romcom’ is a funny, kooky and rather sweet look at one shy guy’s attempt to find true love via unethical means.
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KLOWN
KLOVN THE MOVIE
Blisteringly funny throughout, this hysterical Danish outing from the comedy-of-the-uncomfortable school will appeal to those who think Curb Your Enthusiasm and films like The Hangover don’t push the envelope enough.
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Liberal Arts
In this Sundance hit romantic comedy 35-year-old Josh Radnor (who also wrote and directed) returns to college and falls for Elizabeth Olsen's sophomore theatre student. “Funny, moving, thoughtful, true.” — Paste Magazine
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Mantrap
Live Cinema accompanied by City oh Sigh. Jazz baby Clara Bow creates havoc in the boondocks in this classic Hollywood comedy of the 20s. This racy little number celebrates a liberated city gal and her right to flirt with any man she pleases, wedding ring be damned.
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Moonrise Kingdom
Wes Anderson’s Cannes opening-night film is a highly idiosyncratic, impeccably made portrait of young love circa 1965. With Bruce Willis, Edward Norton, Bill Murray, Frances McDormand, Tilda Swinton. “Hilarious and heartfelt.” — Rolling Stone
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The Sapphires
Fresh from its Cannes ovations. “A jewel-bright charmer [true story] about four spunky indigenous women whose powerhouse voices catapulted them onto the 60s-era world stage as Australia’s answer to the Supremes.” — Hollywood Reporter
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Sightseers
In this pitch-black comedy a pair of caravanning killers head off on a road trip through the beautiful Lake District. “The most consistently hilarious Brit-com for a good half-decade.” — Hollywood Reporter
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Vulgaria
Pang Ho-cheung (the John Waters of Hong Kong) delivers a deliriously offensive comedy about the lengths a producer will go to secure funding for a feature film. “Lewd, crude and flat-out hilarious.” — Twitch
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What’s in a Name
Le Prénom
Dinner date becomes dinner disaster in French cinema’s box office comedy hit of the year. “An amusing and well-acted French farce in the pure tradition of boulevard classics such as The Dinner Game.” — Hollywood Reporter
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Where Do We Go Now?
Et maintenant on va où?
A spirited, entertaining tale of women in a Lebanese village distracting their men from ‘religious war’, directed by and starring Nadine Labaki (Caramel). People’s Choice Award, Toronto International Film Festival 2011.
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Your Sister’s Sister
Emily Blunt and Rosemarie DeWitt are sisters circling the same man (Mark Duplass) in this fresh, quick-witted comedy from writer/director Lynne Shelton (Humpday). “Insightful, probing and gloriously amusing.” — The Guardian