Denmark’s fearless Mads Brügger in person with his gonzo documentary. He buys himself a diplomatic post in the Central African Republic and proceeds, envelopes stuffed with cash, to jockey for power and influence.
Films — by Genre
Comedy
The Angels’ Share
Scottish lads decide to liberate a barrel of single malt in Ken Loach’s caper comedy direct from Cannes. “This is British comedy at its warmest and most pleasurable; cask strength, unfiltered and neat.” — The Telegraph
Bernie
“Jack Black gives the performance of his career, under the pitch-perfect direction of his School of Rock director, Richard Linklater, who expertly crafts a black comedy with a deceptively sunny surface.” — NY Post
The Cabin in the Woods
Writer Joss Whedon’s (The Avengers) deconstruction of the contemporary horror film manages to deliver the thrills of a teens-get-sliced scenario while piling on big laughs with meta-punchlines.
Gentlemen Prefer Blondes
Diamonds Are a Girl’s Best Friend! Marilyn Monroe is at her most beatifically ditsy alongside Jane Russell in Howard Hawks’ dazzling 1953 Technicolor screwball musical seen here in a new digital restoration.
How to Meet Girls from a Distance
The inaugural winner of the Make My Movie feature film competition, Dean Hewison’s 'Peeping Tom romcom’ is a funny, kooky and rather sweet look at one shy guy’s attempt to find true love via unethical means.
KLOWN
KLOVN THE MOVIE
Blisteringly funny throughout, this hysterical Danish outing from the comedy-of-the-uncomfortable school will appeal to those who think Curb Your Enthusiasm and films like The Hangover don’t push the envelope enough.
Liberal Arts
In this Sundance hit romantic comedy 35-year-old Josh Radnor (who also wrote and directed) returns to college and falls for Elizabeth Olsen's sophomore theatre student. “Funny, moving, thoughtful, true.” — Paste Magazine
Mantrap
Live Cinema accompanied by City oh Sigh. Jazz baby Clara Bow creates havoc in the boondocks in this classic Hollywood comedy of the 20s. This racy little number celebrates a liberated city gal and her right to flirt with any man she pleases, wedding ring be damned.
Moonrise Kingdom
Wes Anderson’s Cannes opening-night film is a highly idiosyncratic, impeccably made portrait of young love circa 1965. With Bruce Willis, Edward Norton, Bill Murray, Frances McDormand, Tilda Swinton. “Hilarious and heartfelt.” — Rolling Stone
The Sapphires
Fresh from its Cannes ovations. “A jewel-bright charmer [true story] about four spunky indigenous women whose powerhouse voices catapulted them onto the 60s-era world stage as Australia’s answer to the Supremes.” — Hollywood Reporter
Sightseers
In this pitch-black comedy a pair of caravanning killers head off on a road trip through the beautiful Lake District. “The most consistently hilarious Brit-com for a good half-decade.” — Hollywood Reporter
Vulgaria
Pang Ho-cheung (the John Waters of Hong Kong) delivers a deliriously offensive comedy about the lengths a producer will go to secure funding for a feature film. “Lewd, crude and flat-out hilarious.” — Twitch
What’s in a Name
Le Prénom
Dinner date becomes dinner disaster in French cinema’s box office comedy hit of the year. “An amusing and well-acted French farce in the pure tradition of boulevard classics such as The Dinner Game.” — Hollywood Reporter
Where Do We Go Now?
Et maintenant on va où?
A spirited, entertaining tale of women in a Lebanese village distracting their men from ‘religious war’, directed by and starring Nadine Labaki (Caramel). People’s Choice Award, Toronto International Film Festival 2011.
Your Sister’s Sister
Emily Blunt and Rosemarie DeWitt are sisters circling the same man (Mark Duplass) in this fresh, quick-witted comedy from writer/director Lynne Shelton (Humpday). “Insightful, probing and gloriously amusing.” — The Guardian