The once thriving popular cinema of Cambodia is vividly evoked through the reminiscences of the few filmmakers and performers who survived the Khmer Rouge. “An elegantly assembled and deeply moving remembrance.” — Variety
Screened as part of NZIFF 2012
Golden Slumbers 2011
Le Sommeil d’or
The colourful phantoms of a once thriving national cinema in Cambodia are summoned through the reminiscences of the few filmmakers and actors who survived the Khmer Rouge’s reign of terror. Though no film print survived, we see how the popular culture persists in the memories of filmgoers, and, most poignantly, through the songs that remain staples in Phnom Penh’s karaoke bars. This beautifully crafted reclamation is the work of the young grand-nephew of a former industry great.
“All that remains are fugitive traces of printed ephemera and soundtracks of curling orchestral ballads and psychedelic nuggets – and the memories of those people who made or relished the films and survived Pol Pot… Davy Chou’s gliding Phnom Penh interludes and spaciously staged interviews reflect the influence of Jia Zhang-ke and Tsai Ming-liang… but these cinephilic touchstones never overwhelm the personal, defiant accounts of moviemaking at the heart of the film. Ever after is the tragic refrain of Chou’s film, but the once upon a time is as golden as he says.” — Max Goldberg, San Francisco Bay Guardian