After May (aka Something in the Air) is filmmaker Olivier Assayas’s (Summer Hours, Carlos) lyrical and reflective memoir of his own youthful wavering in the aftermath of the student-led protests that convulsed France in May 1968.
Films — by Country
France

Bande à Part
“Godard's 1964 classic has the same garrulous, genial, almost insolent effortlessness of Breathless, the same feeling of jumping for joy and almost defying gravity on the way down.” — Peter Bradshaw, The Guardian

Pierrot le fou
“The epitome of New Wave pop art romanticism, Pierrot is as evocative of its epoch as a Warhol “Marilyn” or Beatles VI.” — J. Hoberman, Village Voice

Vivre sa vie
“A milestone 'Everything is permissible’ moment in narrative film, Godard's fourth feature is a rocket from Pandora's Box.” — Nick Pinkerton, Village Voice