Screened as part of NZIFF 2013

Stranger by the Lake 2013

L'inconnu du lac

Directed by Alain Guiraudie

A sensation at Cannes, and anywhere else it plays we’d imagine, Alain Guiraudie’s film is a seductive blend of beauty, eroticism and suspense in which multifarious desires are played out on a secluded, idyllic gay beach – and adjacent forest

France In French with English subtitles
97 minutes CinemaScope / DCP

Director, Screenplay

Producer

Sylvie Pialat

Photography

Claire Mathon

Editor

Jean-Christophe Hym

Production designers

Roy Genty
,
François Labarthe
,
Laurent Lunetta

Sound

Philippe Grivel
,
Nathalie Vidal

With

Pierre Deladonchamps (Franck)
,
Christophe Paou (Michel)
,
Patrick D’Assumçao (Henri)
,
Jérôme Chappatte (Inspector Damroder)
,
Mathieu Vervisch (Eric)
,
Gilbert Traina (Tuesday night man)
,
Emmanuel Daumas (Philippe)
,
Sébastian Badachaoui (Eric’s boyfriend)

Festivals

Cannes (Un Certain Regard) 2013

Awards

Best Director (Un Certain Regard), Cannes Film Festival 2013

Elsewhere

A sensation at Cannes, and anywhere else it plays we’d imagine, Alain Guiraudie’s film is a seductive blend of beauty, eroticism and suspense in which multifarious desires are played out on a secluded, idyllic gay beach – and adjacent forest. A fresh, unclassifiable genre mix of sly humour, hardcore guy action, psychological thriller and murder mystery, it’s a big screen treat highly unlikely to be playing at any multiplex near you. Guiraudie conjures a luminous, liminal realm, disconnected from any other social reality, where the id can run wild. As our fresh young hero is aware, different visitors there seek different degrees of disconnection, but a new infatuation takes him swimming into dangerous waters indeed.

“Transgressive and transcendent… Our lead is the beautiful, swimmer’s-bod buff Franck, who struts around with genial confidence… Though he strikes up an easy friendship with the lonely, obese Henri, Franck’s eye and libido are more tickled by the 70s porn mustache-sporting Michel (Christophe Paou). The only potential problem? One evening, Franck witnesses Michel drowning one of his conquests, which he discovers does little to negate his attraction…

Go in aware that much of the sex is unsimulated, then revel in the ways Guiraudie uses his rigorous perspective, in addition to an always gorgeously-composed widescreen frame, to normalize behavior that is anathema in polite society… But also go in knowing that there are very real, very potent emotions underlying every action, be it an explicit sex act, a lingering embrace, or a horrible realization that meting out death does not necessarily preclude love.” — Keith Uhlich, Time Out NY