Screened as part of NZIFF 2013

The Spirit of '45 2013

Directed by Ken Loach

Ken Loach (The Angels’ Share) evokes the collective spirit that won World War II, carried over into the 1945 Labour election victory and welfare states policies in the UK. “A lament, a celebration and a wake-up call.” — Time Out London

UK In English
94 minutes Colour and B&W / DCP



Rebecca O’Brien
Kate Ogborn
Lisa Marie Russo


Stephen Standen


Jonathan Morris


Paul Parsons
Kevin Brazier
Ian Tapp


George Fenton


Eileen Thompson
Dr Julian Tudor Hart
Dai Walters
Sam Watts
Ray Davies
Tony Mulhearn
Doreen McNally
John Farrell
Dot Gibson
Tony Benn
Harry Keen
John Rees
Raphie de Santos
James Meadway


Berlin 2013

Switching from populist feature (The Angels’ Share) to polemical documentary, Ken Loach summons lively archive footage and colourful survivor testimony to evoke the collective spirit that won World War II and carried over into the 1945 Labour election victory (at the expense of wartime leader Winston Churchill). The nationalisations and cradle-to-grave health care policies that Attlee’s government established so extensively were precisely the ‘society’ that Thatcher decreed did not exist and proceeded to close down or sell off. Loach’s reassertion of the old one-for-all values is explicitly directed at defending what little is left from further privatisation but it’s tempting to see it too as his counter blast to the hubbub of the wicked witch’s funeral.  (Knowing where his audience lies, he shock-cuts to her quoting St Francis.)

“Viewers of the opposing political persuasion may instantly gripe about a lack of balance – there’s nothing but adoring words for trade unions – but demanding balance from a Ken Loach film is a little like wanting a goat to do a handstand. The footage his researchers have unearthed for Britain’s surges of industry and initiative in those Labour years is marvellous, and when he alights on subjects that really fire up passion, such as the founding principles of the National Health System, and the piecemeal privatisation that threatens its future, the movie feels like a salutary reminder of exactly what Ken Loach is for.” — Tim Robey, Daily Telegraph