Screened as part of NZIFF 2017

Bangkok Nites 2016

Directed by Tomita Katsuya

A high-class call girl and a middle-aged army vet search for paradise in a society haunted by decades of foreign exploitation in this stirring long-form feature set in Bangkok’s red-light district.

France / Japan / Laos / Thailand In English, French, Isan, Japanese, Laotian, Tagalog and Thai with English subtitles
183 minutes DCP

Director

Producers

Ohno Atsuko
,
Tsutsui Ryohei
,
Apicha Saranchol
,
Mattie Do
,
Douangmany Soliphanh
,
Philippe Avril

Screenplay

Aizawa Toranosuke
,
Tomita Katsuya

Photography

Studio Ishi (Mukoyama Masahiro
,
Furuya Takuma)

Costume designers

Piya Niyom
,
Nunnaphat Wattanajaroenporn

With

Subenja Pongkorn
,
Tomita Katsuya
,
Sunun Phuwiset
,
Chutlpha Promplang
,
Tanyarat Kongphu
,
Sarinya Yongsawat
,
Nagase Shinsuke
,
Sugano Taro
,
Apicha Saranchol
,
Ito Hitoshi
,
Murata Shinji

Festivals

Locarno
,
Busan 2016

At the heart of the sprawling supercity of Bangkok lies Thaniya Road, a red-light district catering exclusively to Japanese visitors. Over four years in the making, this visceral free-form epic from Japanese director Tomita Katsuya explores the fractured psyche of its denizens.

High-class Thai call girl Luck supports her family and is successful enough to be able to pick and choose her clients. Outsider Ozawa (played by director Tomita) is a veteran of the Japanese Self-Defence Force and after decades of peacekeeping in Southeast Asia is still searching for his place in the world. His compatriots are a seedy collection of yakuza rejects who see Thailand only as a paradise ripe to be exploited.

World-weary Luck finds a kindred spirit in Ozawa and accompanies him to visit her family in the rural northeast when Ozawa is sent to Laos to scout business opportunities. Meeting Luck’s family and friends inspires Ozawa, but the scars are still raw in this region literally haunted by the horrors of the past. With long-form scope to develop its characters and themes, Bangkok Nites delivers a complex and ultimately affecting portrait of a society marred by decades of foreign exploitation. — MM