Being a programmer for NZIFF, I’m lucky enough to have seen a good portion of the selection already. The absolute highlight has to be La Flor. I’ll admit to some trepidation sitting down to watch a 14-hour film, but before long I was hanging out to see the next episode. Under the Silver Lake and We Are Little Zombies play similarly fast and loose with narrative conventions and are all the more enjoyable for it. It’s an extremely strong year for documentaries and amongst the most entertaining for quite different reasons are Cold Case Hammarskjöld, Martha: A Picture Story and You Don’t Nomi. Great titles from Cannes I’ve managed to see include The Orphanage, Song Without a Name and The Whistlers, while I’m looking forward to catching up on titles like Bacurau, Portrait of a Lady on Fire and Sorry We Missed You during the festival. — Michael McDonnell, Programme Manager
Films — by Collection
- Film Talks: Jane Ross
- Flicks.co.nz
- Letterboxd Community
- Letterboxd Crew
- Lumière Cinemas
- Staff Picks: Bradley Pratt
- Staff Picks: Charlotte Underhill
- Staff Picks: Daniel Burger
- Staff Picks: Emma Carter
- Staff Picks: Ina Kinski
- Staff Picks: Jessica Hof
- Staff Picks: Lauren Day
- Staff Picks: Lauri Korpela
- Staff Picks: Lynnaire MacDonald
- Staff Picks: Michael McDonnell
- Staff Picks: Nick Paris
- Staff Picks: Rebecca McMillan
- Staff Picks: Sandra Reid
- Staff Picks: Sharon Byrne
- Staff Picks: Tim Wong
- Wellington Film Society
Staff Picks: Michael McDonnell
The Whistlers
La Gomera
Breathing new life into the Romanian New Wave, Corneliu Porumboiu crafts a rollicking genre movie set in sun-soaked Spain, where the best laid plans of a bent cop hinge on learning a secret local whistling dialect.