An incisive investigation into the strange, contradictory drivers behind the political and philanthropic relationship of the religious American right and pro-occupation Israel.
Festival Programme
Films — by Genre
- Action
- Activism
- Animals
- Animation
- Artists
- Award-winners
- Bad Kids
- Based on Books
- Belief
- Comedy
- Coming of Age
- Dance
- Documentary
- Education
- Environment
- Feminism
- Films about Films
- Food and Beverage
- Historical
- Horror
- Human Rights
- Incarcerated
- Indigenous
- Jewish
- LGBTQIA+
- Love Stories
- Masters
- Migration
- Music
- Māori/Pacific
- Philosophy
- Photography
- Politics
- Retro
- Science & Technology
- Science Fiction
- Sex and Sexuality
- Stylistic
- Thriller
- Travel
- WTF?
- War Zones
- Wellbeing
- Westerns
- Women Make Docs
- Women Make Features
- Writers
Belief
After Love
Deception abounds in this nuanced portrait of lies and loss when a middle-aged woman discovers her recently deceased husband led another life in France, contradictory to the pious Muslim home they built together in England.
Beginning
Dasatskisi
A Jehovah’s Witness wrestles with persecution and patriarchal confinement in this powerhouse debut from Georgian filmmaker Dea Kulumbegashvili.
The Eyes of Tammy Faye
Jessica Chastain shines in this biopic centred on the trials, tribulations and televangelical legacy of the larger-than-life Tammy Faye Bakker.
Godavari
On the banks of the river Godavari, an embittered man’s frustrations threaten to boil over.
Lingui, the Sacred Bonds
A pregnant teen and her mother look to the women of their community for help in Cannes-selected abortion drama Lingui, the Sacred Bonds, set amidst the natural beauty and religious strictures of Chad.
Nine Days
What if you had to audition for your own life before being born? “A film of dizzying conceptual ambition – No Exit meets Eternal Sunshine of the Spotless Mind.” — Variety
Souad
Writer/director Ayten Amin’s captivating second feature explores the entangled contradictions of living up to the expectations of God and family while balancing the desire for an Insta-worthy life in modern Egypt.
There Is No Evil
Sheytan vojud nadarad
Mohammad Rasoulof fuses the gripping dramatic style of compatriot Asghar Farhadi with the contemplative aesthetic of Turkish master Nuri Bilge Ceylan in this incisive internal critique of Iran’s punitive processes.