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After delivering a sparkling programme comprising the best in local and international film to tens of thousands of cinema-goers in ten cities across Aotearoa over five weeks, the 2024 Whānau Mārama: New Zealand International Film Festival (NZIFF) has closed. More than 90,000 admits were recorded nationally, with festival opener We Were Dangerous topping the box office.

A total of 83 feature films and 17 short films screened in this year’s programme, with the festival’s diverse international programme bringing some of the most acclaimed films in the world to New Zealand audiences. Cannes-premiered favourites included Iranian director Mohammad Rasoulof’s The Seed of The Sacred Fig, Indian director Payal Kapadia’s All We Imagine As Light and Latvian director Gints Zilbalodis’ animated gem Flow, all of which drew overwhelming responses from audiences and required additional screenings in Auckland, Wellington and Christchurch.

The newly-christened Māhutonga section, which celebrates the dynamic diversity of New Zealand films, also performed well. Director Josephine Stewart-Te Whiu’s feature debut We Were Dangerous was the Festival’s opener and quickly became a widely celebrated film with reviews describing it as, “a soaring celebration of misfits and girlhood” and a “short, sharp debut feature [which] packs a powerful punch.”

Lucy Lawless’ directorial

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On Sunday 18 August, at the Closing Night of NZIFF 2024 in Auckland, the winners of the inaugural Fresh Competition and Frames Competitions were announced. These competition strands were created to draw attention to some of the best narrative feature and documentary debuts of the last 12 months.

The ten films in the Fresh Competition were judged by a jury comprising of Pulkit Anora (Filmmaker, New Zealand/India), Anu Rangachar (Producer and Programmer, India) and David White (Filmmaker, NZ).

The Main Award was awarded to Truong Minh Quy for his film Viet and Nam.

The jury said, "The Jury wishes to recognise Viet and Nam for its multi-layered ability to seamlessly merge political and personal narratives, while maintaining its stunning visual poetry and emotional depth."

A Special mention went to Mo Harawe for The Village Next to Paradise.

The jury said, "The jury wishes to recognise the film's ability to capture the grace and beauty of human resilience and its triumph of cinematic artistry against formidable odds."

The Audience Award was awarded to Oceans Are the Real Continents by Italian filmmaker Tommaso Santambrogio.

The eight films in the Frames Competitions were judged by a jury comprising of Donsaron Kovitvanitcha (Producer and

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Whānau Mārama: New Zealand International Film Festival is pleased to announce the winners of New Zealand’s Best and Ngā Whanaunga Māori Pasifika Shorts awards for 2024.

The five finalists for New Zealand’s Best were selected by Guest Selector Gerard Johnstone and the six finalists for Ngā Whanaunga Māori Pasifika Shorts were selected by curators Leo Koziol (Ngāti Kahungunu, Ngāti Rakaipaaka) and Craig Fasi (Niue), as announced earlier this year.

The New Zealand’s Best 2024 jury awards were decided by the three-person jury of film producer Philippa Campbell, filmmaker Judah Finnigan and film critic Liam Maguren and were presented following the Auckland screening at ASB Waterfront Theatre, as part of the festival’s Aotearoa Film Focus Weekend on Sunday 18 August.

The New Zealand’s Best 2024 award winners are:

The NZIFF Patrons Award for Best Film and the $7500 cash prize: Director Vea Mafile’o for the film Lea Tupu’anga/Mother Tongue

The Auckland Live Spirit of The Civic Award and $4000 cash prize: Awanui Simich-Pene for the film First Horse.
A previous recipient of this prestigious award is director Josephine Stewart-Te Whiu, whose debut feature We Were Dangerous opened the festival this year.

The Creative New Zealand Emerging Talent Award and cash prize

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Whānau Mārama New Zealand International Film Festival (NZIFF) is pleased to announce 86 feature films and 19 shorts in the 2024 line-up. We will open in Te Whanganui-a-Tara Wellington on 31 July before touring nine other centres across the country until 4 September.

The 2024 programme includes 12 New Zealand films, plus a special 30th anniversary screening of Peter Jackson’s Heavenly Creatures.

NZIFF 2024 Artistic Director Paolo Bertolin says, “This year’s programme is a celebration of the diversity and plurality of contemporary cinema. Our audiences will enjoy films that move, thrill and keep them on the edge of their seats, while also having the opportunity to experience films that open conversations about the reality of the world today, asking necessary questions and probing into uncomfortable truths. Cinephiles will rejoice with the latest efforts from world-class masters and discoveries that signal new talents of tomorrow. 

“At the forefront of this rich mosaic is a contingent of productions from Aotearoa, showcasing a vibrant vitality equally present in features, documentaries and shorts. Jackson’s classic had its world premiere as the Opening Film of the 1994 festival, with then-Festival Director Bill Gosden hailing it as a ‘landmark in New Zealand cinema’. Soon after, it

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Whānau Mārama New Zealand International Film Festival is pleased to announce the selection of 16 films in the 2024 programme which are coming to the festival straight off the back of this year’s prestigious Cannes Film Festival. It is a showcase of the very best of international cinema, and includes celebrated directors and award-winning performances.

“These films represent a pinnacle of global cinema,” says NZIFF 2024 Artistic Director Paolo Bertolin. “We are excited to bring such a rich and varied selection to Aotearoa, and we know these films will inspire, challenge, and enchant our festival-goers.”

Featuring in the Big Nights strand as the Closing Night Film of NZIFF 2024 is The Substance, a satirical feminist body horror by Coralie Fargeat. Starring Demi Moore, Margaret Qualley, and Dennis Quaid, the film, which won Best Screenplay at Cannes, tells the story of a fading celebrity who uses a black-market drug to temporarily create a younger, better version of herself.

The programme’s Fresh strand features films from Cannes’ Directors’ Fortnight and Un Certain Regard sections. Good One by India Donaldson (daughter of New Zealand cinema legend Roger Donaldson) captures the dynamics of a father-daughter relationship during a backpacking trip in the Catskill Mountains.

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