Journalist Shiori Ito embarks on a courageous investigation of her own sexual assault in an attempt to prosecute her high-profile offender. Her quest becomes a landmark case in Japan, exposing the country’s outdated judicial and societal systems.
Festival Programme
Films — by Language
- Afrikaans
- Arabic
- Burmese
- Danish
- Dari
- Dutch
- Dzongkha
- English
- Farsi
- Fon
- French
- Georgian
- German
- Greek
- Hebrew
- Hindi
- Hungarian
- Icelandic
- Irish
- Italian
- Japanese
- Korean
- Malayalam
- Mandarin
- Nepali
- No Dialogue
- Norwegian
- Pashto
- Polish
- Portuguese
- Russian
- Samoan
- Somali
- Spanish
- Tagalog
- Te reo Māori
- Thai
- Tibetan
- Tok Pisin
- Tongan
- Turkish
- Urdu
- Vietnamese
Japanese
![Evil Does Not Exist](/assets/resized/sm/upload/a0/2n/fk/01/HERO_Evil%20Does%20Not%20Exist-0-520-0-390-crop.jpg?k=e3dcce39b8)
Evil Does Not Exist
Aku wa sonzai shinai
Ryûsuke Hamaguchi follows up his Oscar-winning film Drive My Car with a modern eco-fable that provides a gorgeous meditation on humanity’s relation to nature and an unnerving commentary on the price of progress.
![Grand Tour](/assets/resized/sm/upload/js/yb/h5/ao/HERO%20GrandTour_Stills_8_300dpi-0-520-0-390-crop.jpg?k=39dec9bdc2)
Grand Tour
A runaway groom with his bride-to-be in hot pursuit takes us on an epic tour through colonial-era Asia in Miguel Gomes’s playful Cannes prize-winner which mingles the artificiality of classic cinema with a documentary sense of place.
![Ryuichi Sakamoto | Opus](/assets/resized/sm/upload/7l/my/ev/qh/OPUS%20-%20HERO-0-520-0-390-crop.jpg?k=da9c1840a5)
Ryuichi Sakamoto | Opus
Opus is a starkly intimate, self-performed elegy capturing a dying man’s genius.