Anchor Me - The Don McGlashan Story 2025

Directed by Shirley Horrocks Rhythms

A documentary tribute to one of the nation’s best loved songwriters, charting Don McGlashan’s storied career from arty punk upstart to one of the strongest voices in the national identity of Aotearoa.

88 minutes
E
documentary film exempt from NZ Classification labelling requirements

Director

Producers

Shirley Horrocks, Lani-rain Feltham

Cinematography

Craig Wright, Nina Wells, Mark Lapwood

Editor

Steve Mountjoy

Music

Don McGlashan

With

Don McGlashan, Neil Finn, Harry Sinclair, David Long, Sean Donnelly, Shona McCullagh

World Premiere

Whether through his influential bands, legendary act The Front Lawn, or compositions for film and television, the songs of Don McGlashan are well known to the Kiwi ear. Less familiar is the story of the man behind the music, but that’s about to change thanks to acclaimed cultural documentarian Shirley Horrocks (Peter Peryer: The Art of Seeing, Paul Callaghan: Dancing with Atoms).  

From an upbringing in a house full of second-hand instruments to a high school band playing (not so legally) in a local nightclub, McGlashan’s very beginnings are soaked in sound.

The couch-crashing, student flat-playing days of the early 80s with post-punk band Blam Blam Blam give rise to counterculture classics like ‘There is No Depression in New Zealand’. Don and Harry Sinclair composed the soundtrack of the absurd as musical/theatrical duo The Front Lawn. He played with innovators From Scratch. And as frontman of The Mutton Birds, Don helped define the sound of rock in the 90s with international hits like ‘Anchor Me’. ‘Nature,’ and ‘Dominion Road’.

This inspiring documentary catches the highs and lows of a singular career, revelling in tales of backstage antics and unearthing the deeply personal stories behind chart-topping anthems. Famous colleagues like Neil Finn and Toa Fraser extol McGlashan’s artistry in song-writing, while interviews with family members provide intimate insights into a unique creative personality. 

From New York City to provincial town halls, the film paints a portrait of an artist who never fails to leave his soul on the stage, regardless of venue size. — Adrian Hatwell