Cannes

The all-consuming dedication of the Japanese Kabuki artist gets its due in an ornate, decades-spanning spectacular of passion and pain that charts the journey of two young trainees.

An intimate, rapturously-lensed exploration of a family struggling with a parental separation, Hlynur Pálmason’s mosaic of snapshots, dreams and memories finds gentle profundity in the slow march of time.

A perfectly rumpled Josh O’Connor’s criminal ambitions go awry in Kelly Reichardt’s arthouse art-heist film showcasing the American master of cinematic minimalism at her absolute best.

A once-celebrated writer chases relevance through petty schemes, fading commissions and awkward self-promotion. Simón Mesa Soto’s character study is biting, funny and deeply attuned to the sadness of creative decline.

Visionary director Bi Gan invites audiences to a journey through the ages of cinema. In a dazzling kaleidoscope of images, he keeps the flame of the undying love between cinema and audiences burning.

One of the standouts of Cannes 2025, Carla Simón’s personal exploration of the restlessness of a young woman without parents is a poignant example of the healing power of cinema.

Brazilian filmmaker Kleber Mendonça Filho painstakingly recreates the Recife of the 70s dictatorship years in this sprawling, colourful spy thriller like no other. Winner of Best Director and Best Actor at Cannes.

A father, accompanied by his son, goes looking for his daughter who has disappeared from a rave in Morocco. When the duo crosses paths with a group of misfits, their trip over the Atlas Mountains gradually becomes a coming-of-age odyssey.

German cinema celebrated the arrival of a bold new auteur in Cannes, as Mascha Schilinski unveiled her ghostly epic of women in one house visited by catastrophe and its echoes over generations.

A madcap comedy about the perils of open relationships from creative duo Michael Angelo Covino and Kyle Marvin that had audiences at Cannes roaring at every twist and refusal to take itself at all seriously.

This gritty and empathetic portrait of addiction and the self-destruction that comes along with it is filled with pitch black humour. Frank Dillane puts on a masterclass as he takes his character to rock bottom.

The Dardenne brothers return with a deeply affecting drama exploring the lives of five teen mothers. Hopes and fears steer the young women towards bettering their lives for themselves and their children.