Visions

A teenage girl recounts her crush for her teacher through the pages of a memoir. The winner of the Golden Bear 2025 is a lucid and tender chronicle of the unforgettable experience of first love.

A bracingly audacious political satire, Ari Aster’s modern-day Western utilises an A-list cast (Joaquin Phoenix, Emma Stone, Pedro Pascal, Austin Butler) to ruthlessly skewer the polarisation of post-pandemic America.

The all-consuming dedication of the Japanese Kabuki artist gets its due in an ornate, decades-spanning spectacular of passion and pain that charts the journey of two young trainees.

What is love? Through the stories of a straight woman and a gay man, Haugerud defies conventions with humor and compassion, in an eloquent and moving masterwork on human relations in the 21st century.

An intimate, rapturously-lensed exploration of a family struggling with a parental separation, Hlynur Pálmason’s mosaic of snapshots, dreams and memories finds gentle profundity in the slow march of time.

A perfectly rumpled Josh O’Connor’s criminal ambitions go awry in Kelly Reichardt’s arthouse art-heist film showcasing the American master of cinematic minimalism at her absolute best.

In the wake of a traumatic incident, a young woman forms a surrogate mother-daughter relationship with her rescuer. As emotional walls come down, doubts arise: is there more to the care offered than simple kindness?

French auteur Alain Guiraudie continues his Hitchcockian streak with this slippery, eccentric story of a provincial French family in mourning and the chaos that arrives with the prodigal return of a disquieting family friend.

Raoul Peck, the acclaimed documentary chronicler of power in America, looks to George Orwell’s writing of 1984 as a prescient guide to our modern era of Trumpian rule and reality manipulation.

Visionary director Bi Gan invites audiences to a journey through the ages of cinema. In a dazzling kaleidoscope of images, he keeps the flame of the undying love between cinema and audiences burning.

One of the standouts of Cannes 2025, Carla Simón’s personal exploration of the restlessness of a young woman without parents is a poignant example of the healing power of cinema.

Returning from last year’s Festival to screen alongside the rest of his Sex Dreams Love trilogy, Dag Johan Haugerud’s comic drama takes a candid and refreshing look at modern gender roles.

A father, accompanied by his son, goes looking for his daughter who has disappeared from a rave in Morocco. When the duo crosses paths with a group of misfits, their trip over the Atlas Mountains gradually becomes a coming-of-age odyssey.

German cinema celebrated the arrival of a bold new auteur in Cannes, as Mascha Schilinski unveiled her ghostly epic of women in one house visited by catastrophe and its echoes over generations.

Fresh from Cannes acclaim comes a gripping, mordantly absurd and meticulous study of the inverted logic of state terror from master chronicler of tyranny Sergei Loznitsa.

The Dardenne brothers return with a deeply affecting drama exploring the lives of five teen mothers. Hopes and fears steer the young women towards bettering their lives for themselves and their children.