Spotlight

Belgian director Lukas Dhont follows up his award-winning debut Girl (NZIFF 2018) with this deft exploration of the fragile world of childhood bonds, which has already picked up major prizes at Cannes and Sydney.

Park Chan-wook makes a welcome return to NZIFF with this masterful and seductive romantic thriller about an insomniac detective investigating a mysterious widow oddly unconcerned with her husband’s death.

An art-school-dropout drowning in student debt, Aubrey Plaza discovers she has a talent for credit card fraud in this gripping Sundance breakout from first-time writer/director John Patton Ford.

This stunning documentary portrait of French volcanologists Maurice and Katia Krafft is skilfully constructed from their amazing archival footage collected from numerous volcanic expeditions in the 1970s and 80s.

Javier Bardem, renowned for his memorable portrayals of villains in No Country for Old Men and Skyfall, adds another sinisterly charming, immoral character to his repertoire as the titular “good boss” in this dark Spanish satire which bagged all the top awards at the 2022 Goyas (the Spanish Oscars).

Reaping top awards at the 2022 Césars, this majestic, lavish fresco adapted from Balzac’s masterpiece paints a cruel portrait of 19th century Parisian society and the burgeoning world of the press, which has startling contemporary overtones.

This staggering, fly-on-the-wall portrait of the charismatic anti-corruption activist Alexei Navalny, filmed in secret following an assassination attempt on his life, is one of the year’s most electrifying films.