Screened as part of NZIFF 2022

The Stranger 2022

Directed by Thomas M. Wright Widescreen

Joel Edgerton and Sean Harris deliver brooding performances as predator becomes prey in up-and-coming director Thomas M. Wright’s dark and intense Australian true crime drama.

Session dates and venues to be announced
117 minutes DCP

Director

Producers

Rachel Gardner
,
Emile Sherman
,
Iain Canning
,
Joel Edgerton
,
Kerry Kohansky-Roberts
,
Kim Hodgert

Screenplay

Thomas M. Wright. Based on the book The Sting by Kate Kyriacou

Cinematography

Sam Chiplin

Editor

Simon Nioo Ase

Production designer

Leah Popple

Costume designer

Mariot Kerr

Music

Oliver Coates

Cast

Joel Edgerton (Mark)
,
Sean Harris (Henry Teague)
,
Ewen Leslie (Milliken)
,
Steve Mouzakis (Paul Emery)
,
Jada Alberts (Kate Rylett)
,
Fletcher Humphreys (Detective Ikin)
,
Matthew Sunderland (controller)
,
Cormac Wright (son)

Festivals

Cannes (Un Certain Regard) 2022

Elsewhere

“Based loosely on a real-life case involving the disappearance and murder of a young Australian boy in 2003, Thomas Wright’s intense and unnerving The Stranger envelops audiences in the dark shadows of Australia where one undercover detective risks his sanity to catch an elusive no-name drifter. Wright crafts a hyper-elaborate set-up and delicate drip-feed of information which make spoilers an equal crime, but The Stranger is more of a felt experience than a traditional policier; it’s all about the hunt, not the crime…

Joel Edgerton anchors the proceedings as only he can: an intense and brooding presence… Nobody better to convey evil, either, than British actor Sean Harris, his crooked features contorted into a waxy shapeshifter… For those new to the Sunshine Coast murder of 13-year-old Daniel Morcombe and the subsequent hunt for his body and killer, the largest Australia had ever mounted, it’s never clear where Wright is taking The Stranger. It starts on the Glass House Mountains, with police conducting a forensic search, and violently jump-cuts back in time, to the dark interior of a bus at night, a disembodied baroque journey… which will only end with the film… There are secrets buried here, but the answers can only come from the dark human heart of The Stranger.” — Fionnuala Halligan, Screendaily