Japanese

The director and star of In the Mood for Love return to 60s Hong Kong in this sumptuous romantic sequel. “It's wonderful – a rich, glamorous and acutely human work with superb performances by Leung and the four gorgeous actresses.” — Richard Corliss, Time

Blonde action babe Deunan separates the robots from the bioroids in this spectacular exhibition of conventional anime character design amalgamated with state-of-the-art CG effects. “Eye-goggling.” — Screendaily

The great Taiwanese director Hou Hsiao-hsien has made a Japanese family drama to celebrate the centenary of the great Japanese director Ozu Yasujiro. “It is a film about happiness: something you can not see but something that Hou makes poetic, empowering and almost palpable.” — Financial Times

Vast and spectacular, this dazzling anime is also rife with speculation about the meaning of cyberlife. Not for lightweights!

Japan’s answer to Kong in an insanely action packed monster miasma, overflowing with super warriors, cool weapons, snazzy aircraft and more destruction than the last three Godzilla films combined.

This year’s centrepiece is a beauty, thanks to animation genius and long-time Film Festival hero, Miyazaki Hayao. We proudly present the New Zealand premiere screenings of his latest amazing phantasmagoria. “An entertainment full of wonder and charm.” — Variety

This belligerent Japanese indie about the multi-handicapped Sumida, who develops a crush on his new teenage caregiver, offers a satisfying lack of anything patronisingly feel-good or life-affirming.

From the Shroud of Turin to Graceland, this superbly filmed world tour of venerated objects is like Koyannisqatsi without the bombast, exuding instead a gentle, inquisitive wit.

This long awaited anime extravaganza from the forces behind the epochal Akira takes place in a breathtaking vision of the future, as it might have been dreamt up in the Victorian heyday of steam power.

Japan’s Miike Takashi (Audition, Visitor Q), Korean Cannes winner Park Chan-wook (Old Boy) and Hong Kong’s Fruit Chan (Hollywood, Hong Kong) join forces to showcase their considerable skills in this creepy anthology triptych.

Elegantly stylised adaptation of celebrated Japanese novelist Haruki Murakami’s strange story about a solitary illustrator who tastes fulfilment with a woman who can never have too many clothes.