The great Alexander Sokurov (Russian Ark, Mother and Son) has made an eloquent anti-war film in which not a shot is fired. "Dream-like... a timely and humane film." — Sight and Sound
Films — by Language
- Albanian
- Arabic
- Cantonese
- Catalan
- Czech
- Danish
- Dinka
- Dutch
- English
- Farsi
- Finnish
- French
- German
- Hebrew
- Hokkien
- Icelandic
- Indonesian
- Italian
- Japanese
- Kinyarwanda
- Korean
- Latin
- Malay
- Mandarin
- Mongolian
- Neapolitan
- Norwegian
- Pashto
- Picard
- Plautdietsch
- Polish
- Portuguese
- Punjabi
- Romanian
- Russian
- Shanghainese
- Spanish
- Swedish
- Te reo Māori
- Thai
- Turkish
- Turkmen
- Urdu
- Yiddish
- Yolngu
Russian
The Banishment
Izgnanie
A family tragedy told with incredible visual power by the Russian director of The Return. Best Actor Award, Cannes, 2007. "Truly something to see." — Time
Cargo 200
Gruz 200
The end of the Soviet Union is the ultimate horror show in this brilliantly grotesque film from the director of Brother. "A superbly-acted, finely-directed, vision of hell." — Time Out
The Counterfeiters
Die Fälscher
Oscar winner, Best Foreign Film. A vividly original concentration camp drama. "Sharp and compelling... delivers on the promise of its astonishing true-life origins." — Empire
Lorna's Silence
Le Silence de Lorna
Actress Arta Dobroshi is a revelation as a young Albanian woman inveigled into a treacherous scam in acclaimed Dardennes Brothers' new film. Best Screenplay, Cannes Film Festival 2008.
Revue
Predstavlenye
This handsomely presented compilation of immaculately preserved 50s and 60s Soviet propaganda films offers unique insights into the mindset of a lost time and place.
To Each His Own Cinema
Chacun son cinéma
A fascinating, entertaining compilation of short films about movie-going by some of the world's greatest directors: Cronenberg, Lynch, Campion, Kitano, Salles, Kiarostami, Polanski etc etc...
Vogelfrei
Fresh and engaging takes on the four ages of man from the brightest new talents of the newly emergent Latvian film industry. "Beautiful filmmaking." — The Lumiere Reader