A gathering of old friends accepts the challenge to share all incoming calls and messages. It’s a game you won’t want to emulate at your next dinner party, but dammit, you’ll be thinking about it.
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![Perfect Strangers (image 3)](/assets/resized/sm/upload/23/44/1m/ce/0135_PMM1406-bassa_ok%20alba-800-800-450-450-crop-fill.jpg?k=5f4dbf2f00)
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Remakes will be rampant of this discomforting dramedy where friends play a game reading aloud incoming cell phone messages at a dinner party.
Screened as part of NZIFF 2016
Perfect Strangers 2016
Perfetti sconsciuti
Named Best Film at the Donatellos, ‘the Italian Oscars’, Perfect Strangers offers a fiendish take on mobile-device decorum. Fairly bristling with talking points, it became a national sensation and box office hit.
Three 30-something couples and their bachelor friend who have all known each other for years meet for a dinner party. They agree that no private calling or messaging will disrupt their evening. Instead, in a communal fit of ‘We have nothing to hide’ bravado, they’ll place their devices on the table. Every incoming text, email or call will be shared with the whole party. (Letting a caller know they’re on speaker is considered a cheat.) You may soon be asking why they didn’t just play Russian roulette, as the secret projects, extra-mural liaisons and uncool online hook-ups hit the table. Complicating matters most adroitly – and lending a measure of credibility to their recklessness – is some furtive phone-swapping intended to protect the guilty. A stellar cast, including Alba Rohrwacher, Marco Giallini, and other Italian favourites skilfully manoeuvre the transitions from tender comedy through painful comeuppance to the restoration of sanity.