Even if you’re not a fan of heavy metal, you can’t help but admire Alien Weaponry. If not for their rise to fame on an international scale, then for being the first band of the genre to sing in te reo Māori.
Films — by Genre
- Action
- Activism
- Americana
- Animals
- Animation
- Art
- Based on Books
- Body and Mind
- Cannes
- Comedy
- Coming of Age
- Crime
- Disability
- Documentary
- Education
- Environment
- Family Ties
- Feminism
- Films about Films
- Food and Beverage
- For All Ages
- Horror
- Human Rights
- Indigenous
- LGBTQIA+
- Love Stories
- Media and the Internet
- Music
- Māori/Pacific
- Politics
- Rebellion
- Refugee and Migrant Stories
- Religion
- Rural Life
- Sci-Fi
- Science & Technology
- Sports and Gaming
- Stylistic
- Theatre
- Thriller
- Travel
- WTF?
- War Zones
- Women Make Docs
- Women Make Features
- Youth
Coming of Age
Dìdi
Dìdi (弟弟)
Sensitive and funny, this semi-autobiographical film follows 13-year-old Chris Wang as he grows up in diaspora, flirting through AOL emojis and navigating family life, with beautiful small details that feel painfully realistic and true to life.
Dormitory
Yurt
This rebellious debut plasters teenage angst across a politically and religiously charged critique of the systems forced upon children before they’ve even had the chance to form their own opinions.
Explanation for Everything
Magyarázat mindenre
A lovesick young student accidentally becomes a right-wing cause célèbre when he fails his exam in this sharp Hungarian satire which recalls the incisive social critiques of the Romanian New Wave.
Gloria!
An energetic re-envisioning of Baroque music through the lens of the fiery female composers whose revolutionary work was concealed throughout history.
Good One
A 17-year-old grows disillusioned with her father as they take a hike through the Catskills in this incisive minimalist drama from debut feature filmmaker India Donaldson.
Head South
Christchurch-born filmmaker Jonathan Ogilvie returns home for this evocative coming-of-age story that brilliantly captures the feeling of growing up weird in the Garden City. Starring Ed Oxenbould, Márton Csókás and featuring Stella Bennett aka Benee in her acting debut, Head South will be our Opening Night film for the Christchurch leg of the festival.
Heavenly Creatures
Returning to the Festival is Peter Jackson’s sublime 1994 film about the notorious Parker-Hulme murder drew rapturous acclaim and brought the former splatter king a newfound mainstream respectability.
Humanist Vampire Seeking Consenting Suicidal Person
Vampire humaniste cherche suicidaire consentant
A sensitive vampire meets a depressed teenage boy in this deadpan romantic comedy about two loners connecting.
I Saw the TV Glow
Gunge, goons, and girls with unbreakable psychic bonds are your new late-night obsession in this unsettling fable about what happens when you get offered a chance at a fantasy, but choose to settle for reality.
My First Film
A young filmmaker recounts the story of directing her first feature in Zia Anger’s enthralling, deeply personal inquiry into the growing pains inherent to creation and collaboration.
The Remarkable Life of Ibelin
Winner of multiple awards at Sundance this powerful and heartwarming documentary reveals an outwardly introverted gamer’s vibrant secret cyberlife following his death from a degenerative muscular disease.
The Sweet East
A psychedelic journey through a warped America, this contemporary picaresque follows a high school runaway as she navigates oddities, dangers and delights on the road to nowhere, from cinematographer-turned-director Sean Price Williams.
We Were Dangerous
Earning director Josephine Stewart-Te Whiu the Special Jury Prize for Filmmaking at SXSW this year, this electric debut launches our festival with a fiery trio of delinquent schoolgirls railing against the colonial system in 1950s New Zealand.
When the Light Breaks
Ljósbrot
A poignant and beautiful snapshot of grief that asks us, how can you know what to do when the light breaks on the day following a major tragedy?
Wild Diamond
Diamant brut
French director Agathe Riedinger, in her stunning feature-length debut, brings to life a unique heroine in Liane, a young woman obsessed with the glittery world of social media and reality TV fame.