Based on a graphic novel, this dazzling sapphic fable is a whimsical ode to the power of storytelling.
Festival Programme
Films — by Language
English
Big Girls Don't Cry
Premiering at Sundance earlier this year, Paloma Schneideman’s coming-of-age debut launches our festival with a tender portrait of 14-year-old Sid, as she tentatively traverses insecurity, identity and desire during the summer of 2006.
Dead Man's Wire
After a seven year hiatus, Gus Van Sant is back behind the camera with this star-studded true-crime thriller, earning an 11-minute standing ovation after its premiere in Venice.
Father Mother Sister Brother
Indie cinema’s long-time King of Cool Jim Jarmusch finds mystery and melancholy alike in this triptych of family short stories, each grappling with the weight of shared history.
Fatherland
Vaterland
A pristine masterpiece from Polish Academy Award winner Paweł Pawlikowski, reflecting on history and its shadows on the present, as well as on the undying bond of family ties.
Fjord
A divisive talking point at Cannes even before it took its top award, Cristian Mungiu’s story of a conservative immigrant family under institutional suspicion is a barbed interrogation of liberal Nordic attitudes.
Footrot Flats: The Dog's Tale
40 years ago, New Zealand’s most loved cartoon strip was adapted into our first-ever animated feature and the result broke the box office and captured the hearts of a far more innocent nation.
Gail Daughtry and the Celebrity Sex Pass
High priest of American buffoonery David Wain (Wet Hot American Summer) returns with his latest irresistibly silly slice of nonsense, a Wizard of Oz-aping Hollywood odyssey about a small-town girl with a very particular mission.
The History of Concrete
ohn Wilson gives his inimitably magpie-ish style of documentary-making the big screen treatment in this endlessly digressive investigation into a hilariously mundane topic.
I Want Your Sex
Provocative and horny as ever, New Queer Cinema icon Gregg Araki’s first film in over a decade is a riotous antidote to the Gen Z sex recession.
Jimpa
A filmmaker balances her outspoken father and a boundary-pushing teenager while working on her latest screenplay that only she believes in, in Sophie Hyde's heartfelt, queer family drama.
Last Man Standing
Gerd Pohlmann offers a timely doc tribute to politician Jim Anderton as a long-haul fighter for Labour’s welfare-based values, against a wave of neoliberal deregulation that fundamentally changed New Zealand politics.
Late Fame
Willem Dafoe and Greta Lee bring heart and realness to this wistful, unromantic comedy about the fragility of creative ambition and a bygone, bohemian New York lost to a consumerist era of gentrification and influencers.
Lomu
Rugby's first global superstar was also one of its most private — a shy, gentle giant caught between two worlds, whose story mirrors Aotearoa's own coming of age.
Out of the Blue
Dunedin’s Robert Sarkies ventured into weightier territory after Scarfies, reckoning with a defining tragedy of gun violence that rocked Aotearoa’s sense of security in his chilling but sensitively measured sophomore feature.
Rose of Nevada
Sci-fi strangeness meets working-class struggle in Cornish director Mark Jenkin’s haunting vision, meticulously crafted with analogue methods, of a fishing boat lost decades ago that claims a new crew from the present.
Teenage Sex and Death at Camp Miasma
As a maven of pop-culture detritus, American director Jane Schoenbrun’s campground of twisted delights is a heady, horny headtrip of the highest order.
Time and Water
As Iceland's ancient glaciers start to vanish, one family's extensive archive becomes a portrait of a disappearing landscape through the passage of a century.
Whistle
The competitive world of musical whistling takes centre stage in this humorous documentary that showcases the weird and wonderful lives that have devoted themselves to the art.
The Wizard of the Kremlin
Actors Jude Law and Paul Dano star as Putin and his propagandist in an epic political thriller by Olivier Assayas, that shows how brutal repression in Russia is puppet-mastered behind a veil of manufactured illusion.