When a Paris nursing home owner crosses paths with a Japanese theatre director battling cancer, they form a profound and unexpected friendship that quietly transforms their lives – winner of the Best Actress prize at Cannes for the film’s leads, Virginie Efira and Tao Okamoto.
Films — by Country
France
Alpha
Titane director Julia Ducournau’s third feature tackles the late 20th-century AIDS crisis in France through her distinctively vivid and brutal lens, a fiery film as visceral as it is profound.
Arco
A hand-drawn wonder brimming with imagination and warmth, Arco is the kind of film that reminds you of the joy of discovery.
Comédie-Française
De la Comédie-Française
Drunk actors, cursed props, clashing egos and a Macbeth that refuses to come together… a gloriously chaotic love letter to theatre and everyone mad enough to make it.
The Dreamed Adventure
Das Geträumte Abenteuer
A vanished man, a lawless frontier, and a woman who refuses to look away: Valeska Grisebach turns the margins of Europe into an epic of startling richness.
Goodbye, Cruel World
Adieu monde cruel
A bullied 14-year-old sends farewell letters to his classmates and vanishes, but when a girl from his school spots him wandering the streets at night, the two begin to build a fragile, secret world of their own.
Jim Queen
Bold, colourful and irreverent, Jim Queen is the elevated campy animation you don't want your mother to watch – but that all your gay friends will die to see.
La Gradiva
A stunning directorial debut that was a big winner at Cannes – a coming of age story set at the foot of Mount Vesuvius that announces the arrival of a major new talent of French cinema.
Little Amélie or the Character of Rain
Amélie et la Métaphysique des tubes
Amélie loves exploring everything her world has to offer, guided by her friend, Nishio-san, but everything changes when, on her third birthday, an event changes the course of her life forever.
Minotaur
Минотавр
A classic French psychosexual thriller about infidelity is expertly reimagined within a modern Russia of citizens feeding an inhuman war machine, in director-in-exile Andrei Zvyagintsev’s taut, chilling Cannes winner.