German

Christian Petzold braids desire, artistic insecurity and the looming threat of climate change in his smouldering comedy of manners set over the course of a hot summer holiday on a Baltic coastline beset with forest fires.

This year’s Palme d’Or winner launches our Festival with a profound and galvanising reflection on truth, facts and fiction, pivoting around another extraordinary central performance from Sandra Hüller—familiar to audiences for her work in Toni Erdmann (NZIFF 2016) and In the Aisles, among other terrific films.

Wim Wenders takes us on an immersive 3D journey in this architectural exploration of the life and works of one of Germany’s most important post-war artists, Anselm Keifer.

Leaping between Georges Méliès, Leni Riefenstahl, Ted Turner, YouTubers, and the Earth as a pale blue dot, this fascinating, foreboding documentary examines the world as we see it—and ourselves within it—through photography.

Utilising a treasure trove of archival material, Eva Weber’s documentary delivers an intimate portrait of the long-serving German chancellor who became the most powerful woman in the world.

A thorough (and thoroughly enjoyable) deep dive into the life and work of Nam June Paik, the Korean visionary who brought the art world into the video age and coined the electronic superhighway decades before the Internet.

An Indigenous girl seeks revenge for her father’s death and finds solace in a secret cabal of witches. This enigmatic folktale of supernatural resistance provides a haunting portrayal of Chile’s colonial past.