Screened as part of NZIFF 2003

Demonlover 2002

Directed by Olivier Assayas

France In English, French and Japanese with English subtitles
129 minutes 35mm

Director, Screenplay

Producers

Edouard Weil
,
Xavier Giannoli

Photography

Denis Lenoir

Editor

Luc Barnier

Music

Sonic Youth

With

Connie Nielsen (Diane de Monx)
,
Charles Berling (Hervé Le Millinec)
,
Chloe Sevigny (Elise Lipsky)
,
Gina Gershon (Elaine Si Gibril)
,
Jean-Baptiste (Henri-Pierre Volf)
,
Dominique Reymond (Malartre Karen)
,
Julie Brochen (Gina)

Festivals

Festivals: Cannes (In Competition), Vancouver 2002

Elsewhere

“Ostensibly Demonlover is a thriller about a corporate mole, Diane (Connie Nielsen), who, in the course of trying to scuttle a deal between the multinational conglomerate she works for and the titular US Internet company, uncovers links between the latter and ‘The Hellfire Club’, a pornographic interactive torture website. Assayas makes the machinations and counter-machinations in this corporate world deliberately convoluted. Every last one of Diane’s colleagues, including a crass, amoral exec (memorably played by Charles Berling) and a manipulative personal assistant (Chloe Sevigny), seems to have a hidden agenda. Nothing is what it seems, motivations remain teasingly ambiguous, and the film’s air of tense hyperreality becomes increasingly skewed… Increasingly ‘improbable’ plot twists and puzzling non-sequiturs begin to pile up. What’s going on here? From its opening shots of banal action-movie mayhem playing on the video screens of a private jet, through its extended interludes of anime and Internet image-overload, Demonlover offers a bleak vision of modern, 100-percent spectacle-driven reality, in which CNN and porn are interchangeable… The reality Demonlover posits is a kind of video game, in which Diane is the protagonist – Nielsen’s cold blue eyes and composed, blank features perfectly mimic the look of a 3-D anime heroine, and each escalation of the action or narrative twist moves things to a new ‘level’. One of the most compelling and original films in competition [at Cannes], Demonlover represents a genuinely radical vision.” — Gavin Smith, Film Comment

Also starring Gina Gershon in a performance as eye-popping as Denis Lenoir’s digitally altered cinematography.