An arresting, crisply detailed period drama examining the legacy – and tainted freedom – of an African slave integrated into Viennese high society. Based on a true story.
Films — by Language
- Arabic
- Arrernte
- Bosnian
- Cantonese
- Danish
- Dari
- Dutch
- English
- French
- Gaelic
- Galician
- German
- Gujarati
- Hebrew
- Hindi
- Hungarian
- Icelandic
- Indonesian
- Italian
- Japanese
- Kazakh
- Korean
- Macedonian
- Malay
- Mandarin
- Nawat
- Norwegian
- Palawa Kani
- Polish
- Portuguese
- Pukapukan
- Quechua
- Romanian
- Russian
- Sami
- Samoan
- Spanish
- Swedish
- Swiss-German
- Tamazight
- Te reo Māori
- Thai
- Tibetan
- Tongan
- Ukrainian
- Vietnamese
- Welsh
- no dialogue with English intertitles
German
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Chris the Swiss
Recalling the work of Marjane Satrapi and Ari Folman, Anja Kofmel recreates the strange life and death of her war reporter cousin in a bold, moody hybrid of docu-portrait and animation.
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La Flor: Part I
Spanning international espionage, torch song melodrama, supernatural horror and silent film homage, Mariano Llinás’ eccentric and expansive narrative epic is a Herculean film creation – and at 14 hours, a record-breaking one. Screening in three parts.
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La Flor: Part II
Spanning international espionage, torch song melodrama, supernatural horror and silent film homage, Mariano Llinás’ eccentric and expansive narrative epic is a Herculean film creation – and at 14 hours, a record-breaking one. Screening in three parts.
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La Flor: Part III
Spanning international espionage, torch song melodrama, supernatural horror and silent film homage, Mariano Llinás’ eccentric and expansive narrative epic is a Herculean film creation – and at 14 hours, a record-breaking one. Screening in three parts.
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Meeting Gorbachev
Former Soviet Union president Mikhail Gorbachev gets his due in [Werner Herzog’s] engaging and touching valedictory to one of the most pivotal figures of the 20th century.” — Ann Hornaday, Washington Post
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Push
As rocketing urbanisation collides with stagnant wages and a lack of affordable housing around the world, Fredrik Gertten’s clarion call to arms shows how global finance giants turn homes into assets.