An arresting, crisply detailed period drama examining the legacy – and tainted freedom – of an African slave integrated into Viennese high society. Based on a true story.
Films — by Language
- Arabic
- Arrernte
- Bosnian
- Cantonese
- Danish
- Dari
- Dutch
- English
- French
- Gaelic
- Galician
- German
- Gujarati
- Hebrew
- Hindi
- Hungarian
- Icelandic
- Indonesian
- Italian
- Japanese
- Kazakh
- Korean
- Macedonian
- Malay
- Mandarin
- Nawat
- Norwegian
- Palawa Kani
- Polish
- Portuguese
- Pukapukan
- Quechua
- Romanian
- Russian
- Sami
- Samoan
- Spanish
- Swedish
- Swiss-German
- Tamazight
- Te reo Māori
- Thai
- Tibetan
- Tongan
- Ukrainian
- Vietnamese
- Welsh
- no dialogue with English intertitles
German
Chris the Swiss
Recalling the work of Marjane Satrapi and Ari Folman, Anja Kofmel recreates the strange life and death of her war reporter cousin in a bold, moody hybrid of docu-portrait and animation.
La Flor: Part I
Spanning international espionage, torch song melodrama, supernatural horror and silent film homage, Mariano Llinás’ eccentric and expansive narrative epic is a Herculean film creation – and at 14 hours, a record-breaking one. Screening in three parts.
La Flor: Part II
Spanning international espionage, torch song melodrama, supernatural horror and silent film homage, Mariano Llinás’ eccentric and expansive narrative epic is a Herculean film creation – and at 14 hours, a record-breaking one. Screening in three parts.
La Flor: Part III
Spanning international espionage, torch song melodrama, supernatural horror and silent film homage, Mariano Llinás’ eccentric and expansive narrative epic is a Herculean film creation – and at 14 hours, a record-breaking one. Screening in three parts.
Meeting Gorbachev
Former Soviet Union president Mikhail Gorbachev gets his due in [Werner Herzog’s] engaging and touching valedictory to one of the most pivotal figures of the 20th century.” — Ann Hornaday, Washington Post
Push
As rocketing urbanisation collides with stagnant wages and a lack of affordable housing around the world, Fredrik Gertten’s clarion call to arms shows how global finance giants turn homes into assets.